50 Years of Women and the Cantorate
While the idea of Jewish women serving as clergy in liberal contexts is commonplace today, it’s remarkable to reflect that only 50 years ago, the cantorate and rabbinate were still almost entirely male-dominated professions. In 1972, Rabbi Sally Priesand became the first woman ordained by the Hebrew Union College–Jewish Institute of Religion (HUC-JIR), and just three years later, HUC-JIR ordained its first female cantor, Barbara Ostfeld.
Barbara Ostfeld’s historic ordination marked a transformative moment in Jewish spiritual leadership. Not only did she blaze a trail for future generations of female cantors, but she also became a passionate advocate for gender equality in the cantorate. Over the course of her distinguished career, she served congregations such as Beth Zion in Buffalo, mentored aspiring clergy, and contributed meaningfully to liturgical development. The stories of her early experiences—both as a student and as a newly ordained cantor—are nothing short of monumental and helped lay the foundation for a more inclusive Jewish clergy.
Two weeks ago, our Cantorial Soloist, Lindi Rivers and I attended the Annual Convention of the American Conference of Cantors (ACC) and the Guild of Temple Musicians (GTM) in Washington, D.C. Among the many highlights was a moving concert at the historic Washington Hebrew Congregation, where more than 120 cantors and GTM members participated in a musical celebration marking 50 years of women in the cantorate.
Another significant moment was the installation of the new presidents of the ACC and GTM. Cantor Josh Breitzer was named President of the ACC, and I’m proud to share that our very own Lindi Rivers was elected as the next President of the Guild of Temple Musicians. The GTM, an affiliate of the ACC, supports and uplifts the role of music in Jewish worship and education. It brings together both professional and volunteer musicians who serve synagogues but are not ordained clergy, offering resources, networking, and professional development. Through its conferences, publications, and recognition programs, the Guild fosters a vibrant musical community committed to enriching Jewish life through sacred song.
As we celebrate Lindi’s new leadership role in the broader Reform Jewish music world, we also mark a major milestone—her 20th year as Cantorial Soloist at Holy Blossom Temple. To honour this occasion, we are excited to host a celebratory concert in March 2026 featuring Cantor Breitzer and Reform cantors and cantorial soloists from across Canada. There will also be a special Shabbat dinner in Lindi’s honour. Stay tuned for details!!
Kol hakavod to Lindi—and to the many women who have strengthened our community and the wider Jewish world through their extraordinary contributions.
May we all continue to go from strength to strength for many years to come.










